| I [Hannah] failed this year to put anything together, but was put on the spot by Maggie-Anne. I explained that I had thought of bringing an old painting to demonstrate the effect I have achieved in the past by saturating a photograph, to make a subject for a painting. Here it is, so that those who were there now see what I tried to describe - but this is terrible cheating, so I apologise! |
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16 Members came on this glorious April morning to see the work created in response to the Chairman's Project for this year - 'Colourful'. Three others were represented by their work. The results were more than usually diverse, and of the usual high standard. EAG members always rise to the occasion. First up was Diana, who spoke about colour in terms of choosing the day's clothes based on the colour of the day. She brought works created during lockdown, when Eye was very quiet and very little traffic disturbed the streets. Next came two vibrant pieces from Lesley, the second (a textile piece with collage and applique), was inspired by the view behind her house, across the fields at sunset. Now we have an Asian Kingfisher from Maggie-Anne, using irridescent acrylic paint to great effect. Then Sally P's tulips created from collaged Yupo paper. She still has some of the paper to use for something else, but at the moment they are too precious to cut up - I think we all have something left from a project that we can't let go of. The paper is also photographed, and could almost just be framed! Next John, Ian C., and Barry. John started with the view from his upstairs loo, as you do! Some seismic activity seized his garden and twirled it, with reference to a poem by Schiller, featuring an angel and a puppet - a very interesting composition. Ian C used every paint colour he had in oil to create a whirling rainbow-type image. Barry brought us a semi-abstract townscape and then a study of irises, made following a visit to the national collection. Penny had been looking at pastel tutorials by Alain Picard (not having used pastels before) and has created these very vivId still life studies. The lemon has an alcohol wash underneath the drawing (not G & T!). Sally L brought us a glorious page of mark-making, with ink, gelli printing and the kitchen sink... Harriet is away, but sent her collaged puffin escaping colourfully from its mount. Sally T brought together a still life and an outside view, creating something somewhat surreal, but also a showcase for the ceramic vase at the centre. She also brought in a watercolour of an abandoned railway carriage from Southwold, whose colour is gradually changing as it deteriorates. Judith had had her house scanned for escaping heat, inspiring this somewhat alarming and certainly vivid image. Jackie is planning to give us a workshop based around one she took part in that led to this Klimt-like image of Kate Moss. ~She also brought some Klimt design reference material with her. Avril has been working in ceramic with Picasso as inspiration, leading to these images. She also brought us the group of fungi withcolourful background and glitter. We all chorused with Josie as she told us that her painting was not finished, not very good, not 3D enough - we all loved it, but Josie is Josie! Ian has been using the Van Gogh 'taching' effect to great effect with this vibrant vase of flowers. He was very pleased with it! And finally Frances was also away, but sent this work to Maggie-Anne - a swirl of colour that became a painting... When I look at the pictures above as a whole, they are indeed very COLOURFUL - Thank you Maggie-Anne! PLEASE NOTE THAT AVRIL WILL BE THE BLOGGER NEXT WEEK, CONTRIBUTIONS SHOULD BE SENT TO HER. Even if you don't join in the 'plein air' session, we would love to see what you have been doing!
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Seventeen members at the bowls club this morning in the bright spring sunshine. Ian was our model, ably assisted by his puppy Marlow, who very quickly got bored with the whole thing and retired to bed! it was nice to have an alternative model , and one that was so well behaved! (No offence Ian, you were very well behaved too) first a breath of spring from Carolyn, the lilac in her garden has just come into flower, I can almost smell it! Animal portraits of Marlow First in pencil from Judith and an effective pastel on a dark background from Harriet. And from Jackie a pencil portrait and now Ian. Three portraits from John charcoal portraits from Penny, and Jackie Three portraits from Avril using Neocolour in the centre. And unusually a portrait from Maggie Ann This one off is an unusual study of Ian’s kegs by Harriet. A suitably challenging choice of objects on the still life table. Sue and Hannah tackled the begonia Sally P tackled the monster cactus, first in black and white and then in colour. Barry drew the vase of flowers using Neocolour, and Ian C painted a colour study in oils. josie worked on two completely contrasting hares, I wasn’t quick enough to catch the first picture, but the second ( left) a delicate study, - a new direction Josie? The hare (right) is drawn from a model on the still life table by Harriet. and finally
Sally Sally provided a colourful still life that looked very fresh with fruit and flowers The first is Harriet's she did a very clever thing by adding extra paper to increase the height of the painting. In the middle is Ian C's who returning to oils did the onion and peppers which look vibrant. The third one is Maggie-Anne's delicate pencil drawing which shows good highlights and the last one is by Dianna also with the use of extra paper to increase the size. Sally sat remarkably still for us and posed with her glasses on for the first portrait and with them off for the second Two lovely pencil drawings from Ian S followed by two from Jackie The first two are Lauren's pencil drawings which showed a lot of character. followed by Penney's charcoal sketches with great likenesses from both members. Sally L liked the repose and working with charcoal, pencil and rubber and Avril tried pastel, and watercolour for hers. Jane also sketched Sally and a beautiful puffin that she saw up close and has captured the pose well. Sally continued with the theme for the workshop, and repeated the caution not to mix yellow and blue paint for skies but will add violet to improve it. Barry used a black pen and then added neo colour of a pollarded tree he took the photo of 20 years ago! Frances sent this by e mail - I just spotted the irises outside the entrance to the Bowls Cub so felt the need to capture them quickly! Carolyn drew a very good picture of Avril's dog but modestly sent this comment by e mail - It is quite a nice dog drawing though not quite Sam. I hope you approve of my attempt. The Blogger next week is Sally L
I think all the participants thoroughly enjoyed this workshop. Tom is a great communicator, and his demonstration was very useful to us all in how to construct a seascape, including advice on the positioning of the horizon and vanishing point, and the use of a limited palette, with colours used across the image to tie the composition together. He also regularly came around to each of us with helpful advice, before circling back to the next stage of his painting. His own subject was a view of the beach at Southwold, looking back towards the town, and some of the views chosen by members were also from nearby beaches. Here is Tom's painting, as finished as it was by the end of the session. He will share the completed painting when it is done. The second and third pictures show close ups of the sea and the sky, so you can see how the paint has been laid on the canvas. At the end of the day, as usual, there was an opportunity to see everyone's work and to discuss the way we had each tackled our subjects, and more advice from Tom on how to continue and complete our work. So first, below, here are paintings from Ian C., Lesley, Avril, and Jo N. Lesley's is the most remote here, as it is a view from Angelsey looking back to Snowdonia. Next, Barry, Maggie-Anne and Sally P. Sally's was the most threatening sky of the day. Finally, Harriet, with her sunset Welsh view, Sandra, who added pastel to the foreground of hers, Judith and me [Hannah].
A couple of notices - Membership renewal is due. Please renew as soon as possible. Forms were sent out over a month ago. Send your completed form to Avril or Ian J. You can pay the £25 by cheque or BACS.
If you are planning to take part in the exhibition at The Bank in June, your application AND FEE must be in by next week. The deadline has already been extended, it will not be extended any further! Next week's Blogger will be Avril, send her your contributions. At the bowls club today, there were about 16 of us. Sandra set up an intereresting and colourful display for still life, including, very suitable for this time of year, a choice of different daffodils in vases and a tradescantia (also known as spiderwort) and an allium. She was an excellent model and managed to keep still holding some quite hard poses. Below shows Sandra's two poses: First we have paintings done by Frances, all in her sketchbook: Next are the portraits of Sandra by Elizabeth, Ian J, Laurens, Penny, Sally L and Harriet Followed by daffodil painters - I've put them all together to show all the differnt styles: by Jackie, Jenny, Jo, Sally P, Maggie Anne and Angela. Finally here is the tradescantia by Sue and a very sweet drawing of Avril's dog, Bob, by Carolyn Next week's blogger is Hannah, as she has swapped this week for next.
Reminder next week is the acrylic workshop. Don't forget to check the Stop Press page if you are coming to the Workshop, for details of equipment, etc. |
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