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  • ARCHIVES 2016
    • Burston 30.6.16
    • Blacksmith's 16.6.16
    • Redgrave 9.6.16
    • Exhibition Private View
    • Blacksmith's 2.6.16
    • Blacksmith's 2.6.16
    • Stradbroke 26.5.16
    • Westhorpe 19.5.16
    • Gaze's, 12.5.16
    • Thursday 28 April 2016
    • Thursday 21 4 16
    • Chairman's Project 7.4.16
    • Thursday 14 April '16
    • Thursday 31 March '16
    • Trevor Osborne's workshop 3.3.16
    • Thursday 17.3.16
    • Thursday 10.3.16
    • Frances's Workshop 18.2.16
    • Thursday 25.2.16
    • Thursday 11.2.16
    • Thursday 4.2.16
    • Thursday 28.1.16
    • Thursday 21.1.16
    • Thursday 14.1.16
    • Thursday 7.1.16
  • Archives 2015
    • Trevor Osborne's pastels 23.4.15 workshop
    • Thursday meeting 26 March '15
    • Thursday 3.12.15
    • Christmas Party 2015
    • Thursday 26.11.15
    • Thursday 19.11.15
    • Thursday 12.11.15
    • Thursday 5.11.15
    • Thursday 29.10.15
    • Thursday 22.10.15
    • Trevor Osborne's workshop 8.10.15
    • Tracey Waghorn's acrylics workshop
    • Thursday 19 February 2015
    • Thursday 29 January 2015
    • Thornham & Blacksmith's in June '15
    • Stroll & sketch 21 May 2015
    • Thursday 19 March '15

Thursday 24 November with Sally P

24/11/2022

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Sally’s still life set-up was inspired by an article in November’s Artists and Illustrators magazine, by Lucy McKie.  Here are some photos taken from her article.  She is a full time artist, working exclusively in oils, and has portraits and still life paintings in collections all over the world.  She didn’t follow the route of a formal art school education, preferring simply to paint and learn from close observation.
This is what Sally set up for us, which includes some baubles as possible inspiration for Christmas paintings.
Click on gallery pages or on single images to enlarge them.
This is what Lesley was inspired to do, using watercolour with no initial drawing.
Harriet too was drawn to the flowers and sent two images.
Frances decided she would play with watercolour and ink, using odd pens she has inherited!  Colour wash first, then casual drawing afterwards.
        The fourth one looks like a sketch through the Bowls Club window.
Hannah says, "Here is my drawing from this morning. Not yet finished as I want to add the irises behind. I may then try China’s trick of photocopying and then adding colour, to avoid spoiling what I already have."
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This is June's unfinished work from her still life today.
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Jackie's delicate watercolour still life is a work in progress.
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Noreen contented herself today with a small sketch of the still life in fine pen, helped by pencil.
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Carolyn has sent her still life drawings from this morning.  
​She also sent me a drawing of a motorbike from a photo, which a friend supplied her with.
Sally L has a dilemma:  she thinks her first sketch is the best one, but on rubbish paper.  I dont know about the paper, but the sketch is scintillating!!!
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The still life table
Sally offered herself as the model and posed resting on a large cushion (beanbag?) on the floor.
Avril produced six aketches in record time!
At a more leisurely pace we also had portraits from John, Ian, two from Jane who said she enjoyed the drawing but felt she had not achieved a good likeness, and two from Elizabeth in her distinctive style.  The last one is from Frances, for which she also used pencil.
John's
Ian's
Jane's
Jane's
Elizabeth's
Elizabeth's
Frances's
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Some of those working on the model.
This is Irene's watercolour of her own still life set up.
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Three 'finish-offs' from Diana, all very colourful and intriguing, and a photo of her mahonia, buzzing with the noise of a swarm of bees.
This is from Sally:  "A commission given to me back in January! Taken from a photo of a picture that had been printed on cartridge paper with not a lot of definition or clarity, so a bit of a struggle! As soon as he said I don't need it until Christmas it was stopped and placed to one side!"
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A message from Lesley, who has asked me to remind everyone that it’s only 3 weeks to the EAG party so 3 weeks to finish your ‘40’ piece. Also, if you would like to participate, please find a poem, piece of seasonal prose, song/piece of music or any other contribution to our Christmas miscellany.  
That's all for today.  Model and still life again next week.  Remember to send your work to Hannah for the blog.
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17th November 2022, with Les

17/11/2022

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Quite apart from the mini flood in the front drive and the heavy rain that poured all morning here, I had other work this morning, as you will see lower down, and so didn't make it to the Bowls Club this morning.  Thanks to Noreen for the scene-setting photos below, showing the still life that conjured rather better weather (hoping for a picnic maybe?), and the man himself, posing with a mirror - rather pensive in the photo.  I also rather like the group chatting by the table, could be another pose for portraiture?
So first Avril, with an array of portraits - some interesting techniques here, and such a lot of hard work!
More portraits; two from Elizabeth, then two from Sally P, one each from Sally T, Ian C, and Jane.  Then two from Jackie and two from Frances, which she wasn't very happy with...
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Frances also sent a landscape, a watercolour of Webbs Fen at Thelnetham with some Red Poll cattle. 
Liz tackled the still life set up by Les
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As did Noreen, who kept it simple with watercolour pencils, but wasn't entirely satisfied.
And June, who used pastels.  Noreen also sent me this pastel that June completed at the Bank on Wednesday.
Harriet has been working on this oil painting since Angela's themed morning, using mainly palette knife, and it is now finished.
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Irene started this watercolour this morning - it would be nice to see how it progresses.
A completed painting from Eileen - and one just started.
Here is Elaine's work from this morning...
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Carolyn has been having trouble with her internet connection - BT strikes again!  But she has finally been able to get back in touch and has sent a delicious looking pointillist apple, getting back to a technique she used to enjoy.
Diana worked on a still life this morning that used elements of an old painting.  She tried out different pieces before adding them in.
As you can see here, my painting this morning was rather more prosaic.  we are having a woodburner fitted tomorrow, and the fireback needed to be finished.  So it was 'Black, all black!' for me today (hope some of you remember the hapless artist from the Fast Show!).
Noreen is in charge next week, so send her your pictures in good time for inclusion.
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Thurs. 10 Nov. Workshop with James Power

10/11/2022

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Standing in for John Shave, who is unfortunately in hospital, James Power gave us a very interesting and inspiring demonstration of his style of painting landscapes in oil.  He is a local artist and has a passion for horses and Suffolk rural life.  Now retired, he spends a lot of time painting and works en plein air as much as possible.
Here are a few of his oil paintings, all local views except one painted in Spain.  The last picture is a photo of the scene he used for his demo. today.
Starting the demo with a board painted over in a warm colour, he first drew lines in thin paint to indicate his off-centre focal area and perspective lines leading to it, then using the same thin wash began to indicate various features in the scene.

Stressing that tone was more important than colour at this stage, he talked about lights and darks describing shape and about his limited palette (no green).  He mixed the shades he wanted.  He was full of tips as the painting progressed, like including small areas of complementary colours, always leading the eye towards the main focus, suggesting e.g. grasses by flicking the brush from light into dark and dark into light, and not fiddling - always let the brush do the work.  

The focal point of the painting (a castle) was introduced in a pale colour, with the shadow sides in dark.  The clouds were worked on with varying shades of pink.

​This was finished by coffee time.
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First in with her work today is Diana, who says, 'Very good morning , still not sure what I’m doing  but something is beginning to make sense.'
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Close behind is Harriet with just one picture and the comment that it was a very good session.
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In my absence from the workshop after coffee, Hannah kindly took more photographs to cover the rest of the session, shown below.
Ian's
Jill's
Jackie's
Sally P's
Leslie's
Diana's
Josie's
Sally T's
Avril's
Hannah's
In the afternoon, James Power did a quick demonstration (top image) from Jill's photo of a sunset over a common
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And finally a mixing demo showing Indian Yellow mixed with Cad. Red, Cad. Yellow, and White, and then with Cerulean, and King's Blue.  The image is looking down Debenham High Street.  (Thanks to Sally P for this information, who said that she enjoyed the day.)
​Although I didn't participate in the workshop, I very much enjoyed what I saw and wished I could return to oil painting to try out some of James Power's ideas.  Many thanks to him for stepping in to do this for the EAG.  Many thanks also to Hannah for her help with photos from the workshop.  
Frances wasn't at EAG today but has sent some pieces she has been working on at home.  The first is a poem she wrote about changing seasons on the Fen and then decided to illustrate it.
The next two are acrylic using a palette knife ... a large one based on Autumn and then she chopped up some others which then represent Spring, Summer, Autumn and Winter.
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​Send your photos to Hannah next week.  It's Les Bragg's turn to present the model and still life and I look forward to seeing lots of you there.  Cheers, Noreen
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3RD NOVEMBER 2022 - WITH ELIZABETH

3/11/2022

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The heavens opened this morning, and it just kept on raining heavily until long past the time I should have left to go to Eye.  Thanks, therefore, to Noreen, for her scene-setting photos.  As you can see, she has included everything, to give a very good idea of Elizabeth's autumnal still life as well as her stint as a model. You all look very studious and quiet!
Last week's themed morning kept some of you going beyond the day.  First, Ian C. started work from a drawing he did some time ago, working at about three times the size of his work last week.
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And then Diana, who says she doesn't have a clue what she is doing - but carrying on.  Looks like this method suits her style!
Avril completed a number of studies of Elizabeth this morning.
More portraiture from John
And these from Ian J. and Josie
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Left, Noreen's study of Elizabeth.

And right, two from Sally T.
Jackie tackled both Elizabeth and her still life as subjects.
So now on to the still life ...
First Lesley, two pieces using acrylic ink and indian ink.The second playing with mark making and using up ink in her palette!
Next Carolyn, who had also sent me a drawing from earlier in the week; her artist bag lying on the floor.
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And this from Sally L.
Francesfirst decided to mess on Yupo paper then similar in sketch book. The third is a lino print she is working on.
June created this watercolour at the Bank this week.
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I have actually finished a painting this week that I started several weeks ago, using oil paint and a palette knife - a cityscape in Norwich.  And I am very proud of my tomato harvest this year, especially the giant pink one grown from seed in the greenhouse, that has reached 660 gms, so I hope you won't mind me sharing this picture.
Don't forget that next week there is a workshop - landscape in oils, all details on the Events, Stop Press and Messages from Members pages.  It will be Noreen at the helm for the blog, so send your pictures to her in good time.
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