Sally’s still life set-up was inspired by an article in November’s Artists and Illustrators magazine, by Lucy McKie. Here are some photos taken from her article. She is a full time artist, working exclusively in oils, and has portraits and still life paintings in collections all over the world. She didn’t follow the route of a formal art school education, preferring simply to paint and learn from close observation. Click on gallery pages or on single images to enlarge them. At a more leisurely pace we also had portraits from John, Ian, two from Jane who said she enjoyed the drawing but felt she had not achieved a good likeness, and two from Elizabeth in her distinctive style. The last one is from Frances, for which she also used pencil. A message from Lesley, who has asked me to remind everyone that it’s only 3 weeks to the EAG party so 3 weeks to finish your ‘40’ piece. Also, if you would like to participate, please find a poem, piece of seasonal prose, song/piece of music or any other contribution to our Christmas miscellany. That's all for today. Model and still life again next week. Remember to send your work to Hannah for the blog.
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Quite apart from the mini flood in the front drive and the heavy rain that poured all morning here, I had other work this morning, as you will see lower down, and so didn't make it to the Bowls Club this morning. Thanks to Noreen for the scene-setting photos below, showing the still life that conjured rather better weather (hoping for a picnic maybe?), and the man himself, posing with a mirror - rather pensive in the photo. I also rather like the group chatting by the table, could be another pose for portraiture? So first Avril, with an array of portraits - some interesting techniques here, and such a lot of hard work! More portraits; two from Elizabeth, then two from Sally P, one each from Sally T, Ian C, and Jane. Then two from Jackie and two from Frances, which she wasn't very happy with... Diana worked on a still life this morning that used elements of an old painting. She tried out different pieces before adding them in.
Stressing that tone was more important than colour at this stage, he talked about lights and darks describing shape and about his limited palette (no green). He mixed the shades he wanted. He was full of tips as the painting progressed, like including small areas of complementary colours, always leading the eye towards the main focus, suggesting e.g. grasses by flicking the brush from light into dark and dark into light, and not fiddling - always let the brush do the work. In my absence from the workshop after coffee, Hannah kindly took more photographs to cover the rest of the session, shown below. Although I didn't participate in the workshop, I very much enjoyed what I saw and wished I could return to oil painting to try out some of James Power's ideas. Many thanks to him for stepping in to do this for the EAG. Many thanks also to Hannah for her help with photos from the workshop. Frances wasn't at EAG today but has sent some pieces she has been working on at home. The first is a poem she wrote about changing seasons on the Fen and then decided to illustrate it. The next two are acrylic using a palette knife ... a large one based on Autumn and then she chopped up some others which then represent Spring, Summer, Autumn and Winter. Send your photos to Hannah next week. It's Les Bragg's turn to present the model and still life and I look forward to seeing lots of you there. Cheers, Noreen The heavens opened this morning, and it just kept on raining heavily until long past the time I should have left to go to Eye. Thanks, therefore, to Noreen, for her scene-setting photos. As you can see, she has included everything, to give a very good idea of Elizabeth's autumnal still life as well as her stint as a model. You all look very studious and quiet! And then Diana, who says she doesn't have a clue what she is doing - but carrying on. Looks like this method suits her style! Avril completed a number of studies of Elizabeth this morning. Francesfirst decided to mess on Yupo paper then similar in sketch book. The third is a lino print she is working on. I have actually finished a painting this week that I started several weeks ago, using oil paint and a palette knife - a cityscape in Norwich. And I am very proud of my tomato harvest this year, especially the giant pink one grown from seed in the greenhouse, that has reached 660 gms, so I hope you won't mind me sharing this picture. Don't forget that next week there is a workshop - landscape in oils, all details on the Events, Stop Press and Messages from Members pages. It will be Noreen at the helm for the blog, so send your pictures to her in good time.
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September 2024
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