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  • ARCHIVES 2016
    • Burston 30.6.16
    • Blacksmith's 16.6.16
    • Redgrave 9.6.16
    • Exhibition Private View
    • Blacksmith's 2.6.16
    • Blacksmith's 2.6.16
    • Stradbroke 26.5.16
    • Westhorpe 19.5.16
    • Gaze's, 12.5.16
    • Thursday 28 April 2016
    • Thursday 21 4 16
    • Chairman's Project 7.4.16
    • Thursday 14 April '16
    • Thursday 31 March '16
    • Trevor Osborne's workshop 3.3.16
    • Thursday 17.3.16
    • Thursday 10.3.16
    • Frances's Workshop 18.2.16
    • Thursday 25.2.16
    • Thursday 11.2.16
    • Thursday 4.2.16
    • Thursday 28.1.16
    • Thursday 21.1.16
    • Thursday 14.1.16
    • Thursday 7.1.16
  • Archives 2015
    • Trevor Osborne's pastels 23.4.15 workshop
    • Thursday meeting 26 March '15
    • Thursday 3.12.15
    • Christmas Party 2015
    • Thursday 26.11.15
    • Thursday 19.11.15
    • Thursday 12.11.15
    • Thursday 5.11.15
    • Thursday 29.10.15
    • Thursday 22.10.15
    • Trevor Osborne's workshop 8.10.15
    • Tracey Waghorn's acrylics workshop
    • Thursday 19 February 2015
    • Thursday 29 January 2015
    • Thornham & Blacksmith's in June '15
    • Stroll & sketch 21 May 2015
    • Thursday 19 March '15

thursday 27 April with tom oakley

27/4/2017

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​Tom concentrated our thoughts wonderfully on perspective this week and boggled our minds with parallel or angular perspective, single or multiple VPs, positioning of eye line, arches and apexes.  This is a subject that can sometimes prove difficult even for the best artists, but Tom has considerable practical and theoretical knowledge of the subject, as can be seen from some of his drawings on his Gallery page (click here).  The boxes we were challenged to draw proved somewhat trickier than we thought but we all had a go.
It is so important to remember where the eye- line is and, in fact, often first to pencil it in lightly in your drawing.  It may be helpful to work from the upright of the nearest angle(s) to you and remember that (in a box shape) lines above the eye-line move away from you downwards and lines below move away upwards.  A ruler or straight edge held up verticallly or horizontally against an angle helps to judge the degree of angle to draw.  Many thanks to Tom for his welcome advice and guidance.
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This was our last session at the Bowls Club for the winter season.  We look forward to seeing as many of you as possible on our trip to Cambridge next Thursday, after which we start our Summer Programme outdoors with a visit to Gaze's salesroom with their garden and outdoor lots.  Working outdoors will give us lots of opportunities to apply the rules of perspective!
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thursday 20th April, Chairman's project

20/4/2017

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Sally Tyley set us the task of producing artwork to the theme of "The Order of Things".  This certainly set us thinking, and what a variety of different work was produced!  Each member presented their work and explained the thinking behind it - some requiring much more elaboration than others.   Click to enlarge.
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thursday 13.4.17 with Diana Simmons

13/4/2017

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Diana's still life with pots and tulips was a very popular choice this week, with the lovely blues and bright pink-to-orange colours and interesting shapes.  The other still life appealed to some, nevertheless.  It was good to have Claire's daughter Sarah back as our model after last week's workshop.  Her young, pale skin was a good challenge.  

Sally Tyley reminded us that it is the Chairman's Project next Thursday and urged us to bring all our work to show, even work unfinished.  I think most of us are keen to see what ideas members have come up with for "The Order of Things".  

The following week, the last meeting of our winter programme, Tom will be talking to us on the subject of "Perspective", then it is the Cambridge trip before we begin our summer programme out of doors.  Details of this will be available very soon - watch for emails or Stop Press on this website.
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thursday 6.4.17, workshop with John Glover

6/4/2017

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John Glover is a professional portrait painter in oils and other media, including pastels.  This workshop was about pastel portraits.  After giving a brief run through of the basic techniques required to get a good likeness, particularly measuring and angles, John did a demonstration using one of our two brilliant models for the day.  He started with a simple line drawing in charcoal to get the general shape and position of the features, then going on to add colour in various forms of pastel:  soft, hard and pencils.  In the short time available, the portrait was not 'finished' but you can see his excellent artwork alongside the model in the photo here.  Everyone then dived in with gusto to paint one or both of the models, with some very good results as you will see in the following photos.
Many thanks to John for a really enjoyable and interesting workshop.  No doubt the work done today will be reflected in the results on our regular mornings! As usual, click images to enlarge them.
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