Our Christmas parties follow a traditional pattern, with coffee and mince pies to greet us on our arrival. Then we have our picture quizzes, cleverly compiled by Diana to test us on our knowledge of art and artists. Even if we didn’t know the answers (and many didn’t), members enjoyed gathering round them to discuss possibilities. |
Richard and Emily organised the “draw it like …..” exercise, where in teams we were asked to compile a picture containing certain specified objects in the style of Impressionism, Surrealism, Cubism, Pop Art or Young Brits. Here’s another quiz for you: which picture is in which style??? Regardless of that, I nominate “Christmas in Egypt” as the winner, which I’m sure you’ll identify by Santa looking for his chimney up the pyramid. |
The panto
MUTINY IN THE WORKSHOP In the first scene the elves are complaining to Mr & Mrs Christmas about the lack of job satisfaction in making so many presents children don’t really appreciate any more. (BTW Big Elf, Ian, seems to be having some trouble with his hat - a design problem?) Father Christmas instigates a discussion of the real meaning of Christmas, before whizzing us back 2000 years. |
We are whisked off to a stable in Bethlehem where we meet sundry sheep, the three wise men on camels(!) and the Innkeeper, not to mention a visit from royalty (Emily with Harry and Markle face sticks). In a finale, Father Christmas, Richard, gives us a homily about the meaning of gifts and love conquering all. |